Upstairs, room 1001
It's late. Maybe. Late enough for Curtis to dim the lights in his and Edgar's room, anyway; he's been trying to follow the cues of the rest of the building, switching off the lights if he notices they're dimmer downstairs, or turning them on if bright light from the hallway starts to seep under their door.
It feels like controlling the movement of the sun. Controlling some small chunk of the world.
He doesn't know if he likes it.
But if he doesn't do it, it makes the time distortions feel even worse, so he'll just have to suck it the hell up.
The ambient noise on either side of them is all well and good, but hearing another person breathing an arm's length away calms Curtis way more than he expected. While he's not asleep yet, he's blinking drowsily at the ceiling, not much longer for the waking world.
It feels like controlling the movement of the sun. Controlling some small chunk of the world.
He doesn't know if he likes it.
But if he doesn't do it, it makes the time distortions feel even worse, so he'll just have to suck it the hell up.
The ambient noise on either side of them is all well and good, but hearing another person breathing an arm's length away calms Curtis way more than he expected. While he's not asleep yet, he's blinking drowsily at the ceiling, not much longer for the waking world.

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Being around Edgar again means some of the old habits are sneaking back: "What kind of help?" he asks. "Besides the arm."
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She frowned in thought. "You may not be alive anymore, but -- that does not mean you must cease living. You -- both of you -- must find ways to live again. To be free of your past."
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Edgar didn't have much of a life outside the train.
"But maybe it won't, I don't know."
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"You don't have to do it alone. Either one of you. That's the help that I am offering."
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Maybe they can talk about it more when they're getting that pot of tea: how for Edgar, at least, accepting that kind of help will be next to impossible. How Curtis himself has to work so damn hard, like a fish swimming upstream, to stay open to the little gestures Dejah's extended. There has to be a way to make this easier.
Because, hell, it's not like having help adjusting to this crazy fucking bar is a bad thing.
They're nearly to Dejah's door. Curtis draws to a halt as they reach it, and carefully pulls his hand free of Dejah's.
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"Curtis, you know, you're not the only one." She doesn't look up.
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This time, it takes a little longer for the ringing in his ears to fade; enough that he only catches the tail end of Dejah's sentence. Sure as hell feels like it, he doesn't say.
"Dejah..."
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"Have a good rest of the night, okay?" he whispers.
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And then she leans in, rising on her tiptoes to brush a soft kiss against his cheek. Her voice is gentle but firm. "Come find me when you want that tea."
A moment later, she's ducking into her room and closing the door behind her.
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(Night, Curtis, whispers the blonde girl. The air's muggy and warm; the trees are green, and rustle in a soft breeze.)
Eventually, he makes his way down to the tenth floor. He elbows open the door to room 1001 without knocking.
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"Hey."
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He -- well, doesn't thump onto the hammock, but drops into it hard enough to send up a few forceful wobbles. Curtis shucks off his hat with a sigh. "You good?"
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"Yeah," Edgar says. "You?"
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He fishes out the letter, eyeing the elegant script spelling his name as he swings his legs into the hammock.
And then he eyes Edgar.
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"So," he says in the best not-suspicious-at-all tone he can manage, "what was that about then?"
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"Nothing," he says. "She's a friend. Helped me out when I got here."
He's still watching Edgar, folded note in hand.
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"She seems ... classy."
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His eyes flick over toward Curtis, and then away again.
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"Okay," he says.
And then he rolls up the letter, leans the few feet to Edgar's hammock, and smacks him across the back of the head with the paper.
"And ask before you touch my stuff, asshole."
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A beat.
"So you gonna fuckin read it or what?"
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In short order, the humor fades, Curtis growing still as he reads.
I have done things no civilized person should have to do, she says. I see you, she says, and he doesn't know whether to shrink back from the scrutiny or embrace it; doesn't know if what she says is true, or clouded by comparisons to a man Curtis never met.
When he reaches the bottom, he starts over again, slower now. Curtis holds part of himself in reserve this time, studying the letter as Edgar might have studied it.
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"Couldn't read most of it," he mumbles, into the silence. "She goes on."
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(And she signed it with four titles. Jesus, no wonder Edgar was prickly.)
Distracted, Curtis goes on, "They've got a lot of books here. If you wanna learn to read better, we could probably do it."
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