[Milliways Gym]
Curtis has started to develop a workout routine. Since his gym visits shifted from "occasional" to "nearly every day," he's taken to quiet observation whenever he's on one of the treadmills, watching the gym's other occupants to see what they're doing, cataloging all the exercises that don't involve two working arms. Some trigger a flash of oh, right, I remember that. Others...not really.
But, one at a time, he works them into his own circuit. Squats. Crunches. Jumps. More time at the heavy bag (his hand always wrapped properly nowadays). All of it's getting easier. He even figures out how to start working his way toward one-armed push-ups: just put his hands higher than his feet, like on a wall or a bench or something.
That's what he's focusing on today -- wall push-ups. It's the last thing on his agenda before he heads out, and damn, it's a strain to make it through the last few reps.
But, one at a time, he works them into his own circuit. Squats. Crunches. Jumps. More time at the heavy bag (his hand always wrapped properly nowadays). All of it's getting easier. He even figures out how to start working his way toward one-armed push-ups: just put his hands higher than his feet, like on a wall or a bench or something.
That's what he's focusing on today -- wall push-ups. It's the last thing on his agenda before he heads out, and damn, it's a strain to make it through the last few reps.
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"Well, you can try. But I'll laugh at you when you come back with a twisted hunk of metal for me to fix."
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Not when she's put so much work into this already. If somebody destroyed something Curtis spent months building, laughter wouldn't be his first reaction.
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"Oh, it's your arm. You do whatever you feel is necessary. It's my job to put you back together after." She slowly moved the first series of plates into the center of the forge, letting them heat up slowly. "This is a tool, Curtis. I will only be upset with you if you treat it like some sort of delicate piece of jewelry, all right?"
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(He still hears tool and thinks pipe, knife, umbrella hook. The basics, not the ornate. What you use when you don't have anything else.)
Mindful of her tools, Curtis swings his heels up onto the table, getting comfortable before he reaches for the book.
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"I didn't know if you preferred a self-guided curriculum, or if you wanted a hand's on lesson. I do know they have these little -- tablet things at the bar. They'll play educational videos, so you can learn from an expert on your own schedule."
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His crooked smile goes a little wry.
"Give me something to do besides punch stuff every day."
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To muster and train troops. To manufacture and hide weapons. To escape whatever mechanism by which they were imprisoned. The days, hours, weeks, months of planning. He must have been so deeply involved in the plan, to have it be finished.
She knows what it's like to be on the other side of such a plan. It always left her feeling adrift. At least, until the next one came along.
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Curtis glances back down at the book.
"Took a while."
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"I mean, don't get me wrong," he says, "getting to eat and sleep and punch stuff is pretty great."
No protein blocks. No headcounts. Space and proper equipment for a good workout -- good enough that it's pretty easy to keep pushing back against the cloud of memories.
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"But I know when I put so much of myself into a project, I'm glad to see it done. But I'm also a bit -- out of sorts. At least, until I find the next project to work on."
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And then -- now that he's accomplished that goal -- having no idea what else he could want. What else he could do.
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She holds the plate until it glows and then carefully, with her hands, begins to form the metal. It's a gentle movement and gives her a lot more control, it seems.
"My whole life, before I met John, I spent every day fighting an enemy I didn't even know existed. After," Dejah gives a dry little laugh. "It took us another twenty five years to dig them out by the root. And I'm still half-convinced everyone I meet might be a Thern agent in disguise. Did I mention the part where they can make themselves look and sound like anyone?"
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"Shit." Low. "No, you left out that part."
He folds the book closed to set it on the table, swinging his feet down in the same movement.
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"Yes. Well, I can scan for their technology, so I have ways of checking. But the fear still haunts me. That someone I know and trust will be in my chambers and I will see their face shift. I will see the mask fall away and my enemy will reveal himself, deep inside my defenses. Even when I know it's not a possibility, that fear never really goes away."
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(He can see Wilford's smile again, so unexpectedly genial after years of Curtis building up a monstrous image of the man and his engine. He can hear Gilliam's croak of a voice: Don't let him talk. Cut out his tongue.
Was that why? Because Gilliam knew Wilford would talk about their collaboration, the deeply rooted agreements between tail and front?)
Actions often come easier than words. Curtis reaches out, touching Dejah's arm just above the glove.
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He wonders, though, if this was part of it, too. Insisting Curtis could trust her because she spent so much time not trusting people. She knows what it feels like, deeper than Curtis ever realized.
He returns the smile, faintly, and gives her arm a small squeeze of reassurance.
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"Here." She takes the beginnings of the prostheses off the stand it's on and offers it to him. It's made of the same metal as the plates, but it's not as light.
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Yeah. Shit. This is really happening, isn't it.
A tiny flicker of doubt tightens his chest. Curtis breathes out, shifting to bring his stump closer to the prosthesis. Just to get a better sense; drive it home a little harder.
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When she speaks, her voice is low, touched with that same quiet fire, but reverent at the same time. "What you see here -- all of this, and the nerve mapping net you saw earlier -- none of it would have been possible without reverse engineering their technology. I have always tried to take the -- the horrors that they spread, and turn them into something healing. I don't know, maybe it's my own small way of undoing all the damage they did. I just know it makes me feel like I'm still fighting them. That I'm driving back the darkness, one small piece at a time."
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She's put as much meaning into building this arm as Curtis had in losing the arm in the first place. Both of them, correcting past mistakes the best they can, both converging on this limb in such an unexpected way.
"You know," he says, softly, "I lost this trying to rescue someone."
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"Oh?"
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"He was inside the engine. I didn't know how to stop the mechanics. So I stuck my arm in there long enough to get him out."
(Speaking of half-truths: he's still determined never to tell Dejah about the children Wilford took from the tail.)
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