[Milliways]
[From here.]
If he were back on the train, he'd go to his bunk, shove the curtain closed, and stay there for as long as possible until the swirl of emotions died down. After that first month, Curtis always figured it was better to isolate himself than risk lashing out at the rest of the tail.
Too bad he's not on the train anymore.
As Edgar heads back out to the stables -- giving Curtis space like most people did when he got angry, and fuck if that doesn't feel like winning his way through a tantrum, too, god -- and he and Dejah head up to the gym, Curtis gets to work wiggling open the jar of salve. He can't quite get the proper leverage with just one hand, even with the jar pressed between his stump and his side; gritting his teeth, he labors on with grim determination.
If he were back on the train, he'd go to his bunk, shove the curtain closed, and stay there for as long as possible until the swirl of emotions died down. After that first month, Curtis always figured it was better to isolate himself than risk lashing out at the rest of the tail.
Too bad he's not on the train anymore.
As Edgar heads back out to the stables -- giving Curtis space like most people did when he got angry, and fuck if that doesn't feel like winning his way through a tantrum, too, god -- and he and Dejah head up to the gym, Curtis gets to work wiggling open the jar of salve. He can't quite get the proper leverage with just one hand, even with the jar pressed between his stump and his side; gritting his teeth, he labors on with grim determination.

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"I know who you are, Curtis Everett."
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And until then, when he thinks -- like he does now -- No, you don't, he'll get a little privacy with the thought. That's even more appealing.
He closes his eyes, letting his forehead touch hers without a word.
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But she knows him well enough to know, he has to come to that same conclusion before she or Edgar or anyone else can even begin to help him.
She wishes he could talk to John. John would be able to get this out of him, she thinks, and not for the first time. John would understand even better than she could. He lived it firsthand.
But he can't. All he has is her and Edgar. And Edgar's got other matters to attend to right now. She bumps her nose against Curtis's. "Come on. The mat's waiting."
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As usual, he's stripped down to his undershirt and started wrapping his hand. (Maybe it's not strictly necessary today, but Curtis never minds the extra practice.) By now, he's getting pretty good at doing it one-handed, the wrap anchored between his teeth, his wrist bending in the quick, complex arcs needed to twist the cloth into its proper place.
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"Swords or staffs today? Or do you just want to grapple?"
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Even with the rage finally corralled, Curtis doesn't wholly trust himself: it'd be too easy to slip back if he's trying to punch another person.
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"Here. We can start one quarter speed." She rolls the staff over the back of her hand and spins it behind her back.
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"You lead, I'll follow," he says.
And once he's got the hang of it, he'll stop following.
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She starts simply. Just a basic series of attacks. She'll even start on his good side. Her smile indicates, she has no intention of going easy on him.
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Curtis still fights like he's in a room a quarter of the mat's size. When he meets each strike of her staff, he moves swift and sure, but never too far from where he planted his feet. Elegance isn't his thing. Combined with Dejah's grace, he's like a snake snapping out at a charmer.
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"You are not a tree. You're allowed to move." She pushes him off balance to illustrate.
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Curtis leaps over the staff. He lands with a thud, pivots out of the small space he'd been occupying, and lets the staff follow through its natural arc toward Dejah's side.
He's starting to grin, too, nearly as fierce as her.
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(That smile....)
This time, she lifts her chin, inviting his attack.
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Don't root yourself like a tree. Keep moving. Go forward.
He can do that.
Curtis charges. At the last second, he feints to the side, aiming for Dejah's legs.
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One, two, three -- he whips the staff into three quick strikes, trying for speed instead of strength.
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Dance with me.
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In a heartbeat, she's nose to nose with him. Her hand splays on his chest and she snaps her teeth in a gesture of play ferocity, before shoving him back. Hard.
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Curtis stumbles back, can't catch himself in time, and goes sprawling. He manages to curve his back and roll into the fall rather than thumping straight onto his ass -- which unintentionally turns into a backward somersault, Curtis on his hand and knees as the staff rolls a foot away.
...That was kind of hot.
He looks up, laughing, "Aw, come on!" before grabbing his staff and surging back to his feet.
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She barely lets him get his staff before she returns the flurry of strikes, alternating quadrants and angles of attacks, stepping into him, making him work for every inch of his staff.
No time to think, no time to plan, no time to do anything but respond.
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He slips on that thought, his next swing hitching.
Shut up and fucking enjoy it, he snaps at himself, and pushes forward.
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