Milliways infirmary, with Dejah
He counts the doors they pass through en route to the infirmary: only three, all of them unlocked. The first one leads to a room more like the party at the front of the train than the crowding at the tail -- but even that's not the right comparison, he thinks. It's crowded, yes, and noisy, but all Curtis can think is there's so much room.
People can stretch out their arms. When he and Dejah cross the floor, they can move without bumping into anyone.
The second door leads to an empty hallway, quiet but for the hum of the overhead lights. He keeps his eyes straight ahead, and with each step, thinks of anything but Wilford's voice in his ear. Take as much time as you need.
The third leads to a place so clean and white as to look alien, like the view from the Snowpiercer's windows. By then, he's leaning far more of his weight on Dejah than when they started.
People can stretch out their arms. When he and Dejah cross the floor, they can move without bumping into anyone.
The second door leads to an empty hallway, quiet but for the hum of the overhead lights. He keeps his eyes straight ahead, and with each step, thinks of anything but Wilford's voice in his ear. Take as much time as you need.
The third leads to a place so clean and white as to look alien, like the view from the Snowpiercer's windows. By then, he's leaning far more of his weight on Dejah than when they started.

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"Because it is the least I can do for you. I can't give you back what you've lost. But I can try to help."
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Curtis gave up his arm, but that doesn't mean he has to go without a replacement. Even Gilliam (and the pain returns at that thought, striking low and dull against his stomach) fashioned new limbs for himself after his sacrifice.
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So many dead.
Her voice is quiet, and tinged with sorrow when she answers. "It would be an honor, Curtis. I fully believe, when the day is done, all we have is each other."
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Especially once Gilliam stepped forward, and someone (he still can't remember who) took a wailing Edgar from Curtis' arms.
"Yeah," he whispers. "I guess so."
And there's no uncertainty to his voice.
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"You're not used to trusting someone -- who looks like me. I understand that. You have no reason to trust me, none at all. Just a collection of moments since you appeared on that lawn."
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"Well, you haven't shot, stabbed, or threatened me yet," he points out dryly.
Yet being the operative word, try as he might.
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"True, very true." She doesn't start eating yet, an air of calm settling around her. "I won't tell you that this place is all sweetness and light. There are those patrons who will be more than willing to meet your worst expectations."
"However," she gestures lightly with one hand, "there are three simple rules. One, no violence in the bar. Apparently on the lawn is fine, as long as no unwilling participants are involved. No sex in the bar, but in the privacy of the rooms upstairs," she waves a hand in lieu of spelling it out.
"And finally, no business in the bar. I'm given to understand that means keep your world's business on your world. If my sworn blood enemy appears here, I am obliged to treat him as any other patron. And he is obliged to treat me the same. Violation of these rules, near as I can tell, results in incarceration in the cells, usually for a few days to a few weeks." The dry tone to her words lets him know precisely how much of a deterrent she thinks that is.
"The bar is not a safe place. But there are ways to stay safe. One of those ways is knowing who you can and can't rely on." She knows which category she falls into, even if he doesn't yet. He strikes her as someone with a quick mind; she's pretty sure he didn't make it this far by luck alone.
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A few days to a few weeks in a prison car. Would that be worth trying to kill Wilford again?
(Fuck yes it would be. He doesn't even have to ask.)
He fists his hand loosely in front of his mouth as he keeps studying the soup. "Okay," is all he says at last.
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She sighs and pokes at her soup with her spoon, licking her lips. "I should just be quiet and let you eat."
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He breaks off there, the rest of his sentence curling into a sigh. He should eat. The soup and bread smell heavenly, better than anything he's smelled in his life. He's just not sure if he can.
Instead, quieter: "I know you just want to help."
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"It is not in my nature. To walk away from someone in need. I do not wish anything in return except perhaps your company. And only then, if you're willing. I do not wish to force myself on you."
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Curtis nods, silent at first.
"Yeah," he mumbles. "Okay."
She hasn't hurt him yet; there are rules about violence (even if they seem like they might do fuck-all); he's pretty sure that if she ever started asking for more than his company, he could fight back. It's...something, at least.
That tiny twitch at one corner of his mouth returns: that tiny stab at humor. "Can't promise I won't be shitty company, though."
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Her gaze drops to her soup but the smile remains. "I've had worse."
John Carter could be a sullen bastard sometimes. Her late husband had arrived on Barsoom already in a foul mood. He'd been a million miles from his home (one he had never been comfortable in, even before the war), surrounded by an entirely alien world, and he'd felt out of synch with everyone and everything. Yes, she's had worse company than Curtis. She's probably the best company he could wish for at this point.
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Curtis isn't thinking individual rooms, like a hotel; he's thinking more rooms like the bar, the infirmary, the halls and doors connecting each. A communal space.
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Dejah took a sip of her soup, hoping that by showing him it was all right, he'd know it was safe.
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She's royalty. Of course she'd have a huge amount of space to herself. But -- a whole room, Jesus.
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"Maybe I should just take the food up there," he mumbles.
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"Yes, all right." She gestures to the wait rat, asks for the soup and bread to be boxed. "How's the arm? Is it hurting?"
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It's like all the pain's still removed, at a distance, waiting for its cue to enter and really start fucking him up. He can feel faint twinges and shadows of it, but nothing serious yet.
"Thanks," he thinks to add -- both to her and the waitrat -- as the soup and bread are whisked away. And solely to Dejah: "You think I could get my own room? Something small. All I need's a bed."
(Even asking for that little feels like asking too much.)
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"This gets a little strange, but -- well, just -- here. Bar?"
A napkin appeared from thin air. With a room key. There were words handwritten on the napkin. Already done. Welcome, Mr. Everett. Anything else I can do for you, please feel free to ask.
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Objectively, it's not any different from the exploding stars, or that he's standing next to royalty from Mars, or...you know, every goddamn thing that's happened to him in the last half an hour. But seeing something materialize out of nothing? That's way too much like a hallucination for his comfort.
The napkin addressing him by name doesn't help a lot, either. He can see Mason again, eyes darting behind her enormous glasses, hinting at knowledge she -- and Wilford -- had no right to have.
The key feels smooth, and cold, and very real as he picks it up. 1001, reads the number tag.
"Sure," he says, blankly. "Uh. Thanks."
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"The bar is sentient, and you'll be dealing with her quite a lot, once you've settled in. And she's very much a her, so do not make the mistake of addressing her as an 'it'. Or you'll get red napkins with messages in all capital letters." She may have made that mistake once or twice. "Treat her with respect and she can answer all your questions."
She eyes the key he was given. "Would you like me to help you find your room?"
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So far, this place is big enough that he's not sure where he's going. On a train, after all, there are only two real directions: forward, or backward.
At his feet, there's a squeak! as the waitrat returns with a small paper bag.
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She stands again and catches Curtis's eye. "This way is the easiest I find. I would surmise by the room number that you're on the tenth floor."
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