[flashback] in the bleak midwinter long ago
The materials started coming in from the Front last week, a few days after the protein blocks: boards, risers, gym mats, army blankets, rolls of fabric that might have been curtains or carpeting. They've been putting together bunks, stacks of them, under the direction of the armed guards.
By unspoken common consensus, the very end of the last car gets curtained off for Gilliam and the others recovering from their voluntary amputation, and the first makeshift pallets are carried back to them.
The work shift is over for the day, and protein blocks are being distributed. Under a guard's watchful eye, one person -- a different one each day -- is tapped to bring food to those who can't walk out to get it for themselves.
Today it's Curtis.
The cloth pulled tight around his right arm used to be a bandana. The wound beneath it split open again last night; he hasn't been able to stop picking at it. Before, a cut like this might've meant stitches. Now it just means pain biting his arm as he cradles the protein blocks to his chest.
Curtis doesn't look up. Nobody looks at him. They part like the Red Sea when he moves, like the train cleaving through the ice. Even in this small space, they find room to get out of the way.
They still wonder if he's got a knife.
He stops in front of the curtains, exchanging an uneasy glance with the guard.
By unspoken common consensus, the very end of the last car gets curtained off for Gilliam and the others recovering from their voluntary amputation, and the first makeshift pallets are carried back to them.
The work shift is over for the day, and protein blocks are being distributed. Under a guard's watchful eye, one person -- a different one each day -- is tapped to bring food to those who can't walk out to get it for themselves.
Today it's Curtis.
The cloth pulled tight around his right arm used to be a bandana. The wound beneath it split open again last night; he hasn't been able to stop picking at it. Before, a cut like this might've meant stitches. Now it just means pain biting his arm as he cradles the protein blocks to his chest.
Curtis doesn't look up. Nobody looks at him. They part like the Red Sea when he moves, like the train cleaving through the ice. Even in this small space, they find room to get out of the way.
They still wonder if he's got a knife.
He stops in front of the curtains, exchanging an uneasy glance with the guard.
no subject
Curtis grabs for both of the baby's hands this time.
no subject
no subject
no subject
"Yeah, good luck convincing any kid on that one," Tanya says, amused.
no subject
Because if -- if -- him feeding Edgar is gonna be a regular thing, it'd be nice to know how long he has to put up with it.
no subject
no subject
Silently, after a moment's consideration, Curtis lets go of Edgar's hands. His fingers go back to the cloth on his arm -- but not to rub at it this time.
Instead, with a second wince, he unties the bandana, and reaches for Edgar with the cleanest part of it he can find.
no subject
(The guards have told them there'll be more water in time. They haven't said how much more, or how much time. Nobody's optimistic.)
no subject
no subject
"Yeah, I know," he mutters anyway in response to that face. "Maybe we'll get lucky and we'll all get baths soon, huh?"
How hard can it be to get extra water? They're surrounded by snow. Surely Wilford can get his shit together and, who knows, grab some of it as the train rolls by.
(That coal under his ribs flares brighter again.)
no subject
no subject
Diapers. He didn't even think about diapers. And Edgar's so young that there's no way he's toilet-trained yet.
no subject
no subject
He swallows.
"You said I could bring him back here whenever, right?"
no subject
no subject
Curtis hunches his shoulders, unconsciously. In a mutter, without looking at Tanya, "What've you been using for them?"
no subject
That's to Gilliam, as though Tanya's expecting him to come up with an answer. He nods, frowning, and rubs at one corner of his scrubby beard.
no subject
"We got any way of collecting our own water?" he asks, eventually.
no subject
no subject
Edgar, in his quest to drag Curtis closer, has yanked on Curtis' hand hard enough to twist the cut further up his arm.
no subject
(Gilliam's eyes are abruptly very watchful, fixed on Curtis.)
no subject
no subject
He's not looking at her.
Very gently: "Are you all right, Curtis?"
no subject
"Yeah," he mutters, unfelt.
no subject
With no change in tone, Gilliam says "Try giving him your other hand."
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)