[flashback] uneasy sleep
Edgar outgrew his oil drum crib a while ago. Long enough that he's spent more time sleeping in Curtis's bed than he did in the crib; long enough that Curtis is used to squishing awkwardly to one side to make room for the warm weight on his other. It's not like anybody can get real breathing room back here anyway. What's losing a little more of it?
Because consensus moved through the Tail a while ago, unspoken but clear, that the full-sized cots and hammocks would only be given to people who couldn't fit anywhere else. That doesn't include Edgar yet -- and Edgar is Curtis's responsibility.
He drifted off to the usual sounds of the train rattling and Edgar breathing. The kid's not wheezing, he thought just before succumbing to sleep. Good. Don't want him catching whatever's going around the Tail lately.
Because consensus moved through the Tail a while ago, unspoken but clear, that the full-sized cots and hammocks would only be given to people who couldn't fit anywhere else. That doesn't include Edgar yet -- and Edgar is Curtis's responsibility.
He drifted off to the usual sounds of the train rattling and Edgar breathing. The kid's not wheezing, he thought just before succumbing to sleep. Good. Don't want him catching whatever's going around the Tail lately.
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By the time night rolls around, everyone who's not Edgar is about as mollified as they're gonna get. And Edgar, of course, is still a ball of excitement.
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Edgar's worked out that he can perch on the edge of his bunk and hang on to the edge of Curtis's, enough to stick his head up level with Curtis's face. "G'night," he says cheerfully.
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He's got all the space he could ever want down here. He could sleep spread-eagled if he wanted to, and not worry about kicking Curtis. Or he could stay awake sitting up. He could do anything.
Except, it seems, fall asleep.
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Well...that's not entirely true. His bunk creaks a little more than usual as he rolls from side to side, trying to get comfortable; trying
to remind himself, every time he jerks back awake right before drifting off, that the bunk's not half-empty because Edgar is hurt.
But it definitely doesn't take a huge amount of time before a soft snore drifts down.
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Edgar blinks sleepily up at the bottom of Curtis's bunk, yawns a jaw-cracking yawn, blinks some more.
He'll be right there when you wake up, he tells himself, and closes his eyes.
Unless he dies like Harry did, says a perfectly reasonable-sounding voice in his head.
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It seems like a very, very long time before it starts up again.
And is it wheezier than before, or is that just Edgar's imagination?
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He lies there, refusing to open his eyes, pulling the blanket close.
Go to sleep, Edgar.
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Curtis isn't moving.
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He holds his own breath, waiting for Curtis to inhale, to twitch, something. His hands are clenched tight in his borrowed blanket.
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Another cough, this one quieter.
Silence.
The cot above him finally shifts an inch.
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He shuts his eyes again, snugs the blanket tight around his shoulders, and yawns deliberately in an attempt to convince his body that he's tired.
In the dream it's cold and dark, and the wind is shrieking overhead, and the monster is roaring somewhere very near.
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It's hard to tell who's screaming his name: Curtis, Jenny, Bell. Harry. The shriek of metal on metal nearly drowns it out, as if the monster has scraped enormous nails along the side of the train. Any minute now, it'll tear away the rest of the wall and leave them all to die in the snow.
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Edgar could save them if he could just get there in time.
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And he's gone, everything's gone, spinning away into the darkness and the cold.
Edgar sucks in a breath that freezes his insides into splintering ice, and screams.
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Curtis' voice echoes in the dark, starts to resolve into something solid: starts to cut through the fabric of the dream.
"Edgar, hey, wake up -- "
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There's a hand, and an arm, and he clutches at it before he's entirely awake.
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In the bunk above, Curtis braces himself so Edgar won't drag him off the whole stack of beds.
"Easy," he repeats. "I've got you. You're dreaming."
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"Oh." His voice is small and shaky, thick with suppressed tears.
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And then nods, kicking free of the blanket and making for the ladder, not caring how the cold metal bites at his feet through his socks.
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Once Edgar's safely on Curtis' bunk, he shakes out the blanket to wrap around the kid's shoulders. "Here," he murmurs.
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"It's okay," he keeps murmuring. "It's okay."
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