[flashback] sick day
A decade isn't enough time for illnesses to evolve from their pre-freeze state. So many of them start the same way they always have: with a chill. A lot of times, people don't even know they're sick. What's feeling a little colder than usual, needing to curl up a little tighter under your allotted blanket?
So Curtis doesn't know, for a good forty-eight hours, until the shivering doesn't quit even after Gilliam loans him two more blankets. As soon as Tanya feels his forehead, he's whisked away to the very back of the Tail, stumbling a little as the train heaves along the tracks. Everything's tilted just a little too far off-kilter, and weaves just a little too sharply whenever they go over a bump. He's grateful when he finally has a chance to sit down.
...Actually, maybe he'll lie down for a bit. Yeah. Just a couple minutes.
So Curtis doesn't know, for a good forty-eight hours, until the shivering doesn't quit even after Gilliam loans him two more blankets. As soon as Tanya feels his forehead, he's whisked away to the very back of the Tail, stumbling a little as the train heaves along the tracks. Everything's tilted just a little too far off-kilter, and weaves just a little too sharply whenever they go over a bump. He's grateful when he finally has a chance to sit down.
...Actually, maybe he'll lie down for a bit. Yeah. Just a couple minutes.
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Curtis sleeps fitfully, drifting in and out, alternately kicking off the blankets and tugging them close. The nausea spikes at a few points, but never gets bad enough to require use of the bowl Evie placed next to his bed. Guess that's a good thing.
In his dreams, the train melts like ice under a heat lamp, flooding the Tail, drowning him before he can reach Edgar. The Front escapes. They always escape. Wilford looks like nobody he can remember, and smiles as he drifts away on a boat constructed of corpses.
The next morning, Evie gently shakes him awake to break the news.
Half an hour later, leaning heavily on her shoulder, Curtis shuffles from the infirmary to make his way to head count.
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Edgar slept late this morning, with nobody on the bunk above to rouse him; he's thrashing into his too-large jacket while hurrying down the narrow aisle between bunks, making for the infirmary.
He gets to the row just in time to see Curtis and Evie emerge, and puts on a burst of speed.
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He can't keep his eyes from darting to Evie, in worry.
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Evie's watching Curtis, her own concern more muted than Edgar's.
"The fuck's up with the new bullshit rules, huh?"
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He circles around to Curtis's far side, and without hesitation ducks under his free arm, coming up with Curtis's wrist resting on his shoulder.
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He leans some of his weight on Edgar, too tired to object, as they continue their slow plod to the front of the tail.
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Edgar screws up his face into a grimace of contempt, but doesn't quite dare spit.
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People are forming up into rows already, hurrying past the slow-moving trio; some glance at Curtis in concern, in unease, in wary curiosity.
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They're still some yards away from the head count area when the guard's voice drifts back: "All right, line up."
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The train's starting to do that dangerous, spinning tilt it did a couple days ago, before Tanya dragged him back to see Evie. He stumbles, struggling to catch his breath; Evie grabs hold with both arms to keep him upright.
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The last few rows are forming up around them. He casts a desperate glance around to see who he can ask for help, if they can't hold Curtis up any longer.
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(It feels like he's clamping down with all his strength. In reality, the grab's feeble, barely supportive at all.)
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"Come on, man," and he hears his voice rise and wobble alarmingly, "come on, give us a hand --"
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"Come on," and now Edgar feels (and sounds) like he really might cry in a moment, not so much from fear or sadness as furious anger. "Kind of fuckin coward are you, scared to hold a guy up for thirty seconds cause you might catch his cold --"
(Other people are looking around at them now.)
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Reese just keeps staring at them, slack-jawed, as Macgregor adjusts his support and glances from Evie to Edgar in silence. When his eyes find Reese -- and the glance lingers, and hardens -- Reese looks away as if fascinated by the train wall.
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"Thanks." It wasn't supposed to be a whisper, but it's all he can manage.
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Macgregor only nods, turning his attention to the people in front of them. They're about two-thirds of the way through, the wave dipping closer and closer as each row kneels to the cold floor.
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He looks up at Macgregor again, draws a breath, squares his shoulders. (He can do that now, with less of Curtis's weight on him.)
The guard clicks his counter, and the row in front of them bends and sinks to the floor.
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Click, goes the counter.
"Three."
Curtis tries to keep the movement controlled, but the fever has other ideas. His knees buckle; with a small grunt, Macgregor takes a little more of his weight as the three of them ease him to the floor.
"Fuck," wheezes Curtis once they're there, and leans his head on Evie's shoulder, utterly spent.
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