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"Okay." Curtis upends the bag of winter clothes on the floor of Dejah's room, spreading them out so she can get a better look. "This oughta be enough. It's not that bad out today."
Since Curtis's definition of not that bad out is a tad skewed, there's still quite a bit of clothing in the pile. A jacket, two sweaters (one thinner than the other), long pants, long johns, a scarf, mittens, boots, plush socks, a pair of bright purple earmuffs...
And, of course, a hat.
With pompoms and earflaps.
(Bar, you are the best.)
Since Curtis's definition of not that bad out is a tad skewed, there's still quite a bit of clothing in the pile. A jacket, two sweaters (one thinner than the other), long pants, long johns, a scarf, mittens, boots, plush socks, a pair of bright purple earmuffs...
And, of course, a hat.
With pompoms and earflaps.
(Bar, you are the best.)
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"All right," he murmurs. "Thank you."
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(Jesus, to think things outside would look weird with snow on them.)
But eventually, he feels the ground start to slope upward. The tall plants have flattened and frozen, weighted against the ground; every so often he spots one that remains defiantly upright against the winter. It's...good to see.
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"This looks like the place, but," she points up towards the treeline, "let's head up that way. See if there's something that still has the visibility but is out of the wind."
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Together, they start in that direction.
Drier, "Won't do any good having a fireplace if we can't get a fire lit."
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She steps away from him and walks a loose circle in the snow. It takes her a moment but she stops and looks.
"We can see the lake from here, just fine."
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When he opens them again, the view's much more manageable. Much more beautiful. He breathes in, taking a moment to settle the rest of his thoughts; then he turns back to Dejah with a smile.
"So you think this is the spot?"
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"What do you think?"
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Unless they go all the way into the forest, where they can't see the lake and the cabin might get lost.
"I think it'll work."
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Curtis holds his free hand near his hip, palm down.
"I mean, anybody who's real determined to break in's gonna manage it no matter what."
(He's not wholly aware that he's taking such a possibility as read: people will take their things, no matter what they do to protect it.)
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"...Actually, I haven't."
He eyes her.
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"Jesus fucking Christ, I missed that there are werewolves around here?"
How the hell did he miss that? (Okay, he knows how -- if he can barely keep track of night and day, no way can he keep track of a full moon, either -- but still.)
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"So, how would you feel about adding a second storey?"
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Too much, he thinks, in a quick blast, too big -- and then the thoughts subside into stillness, with practiced ease, an instant later.
Cautious, "I dunno, do we really need it?"
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"Well, we're just picking out a site today. I still want to do some research. You've seen the book of sketches I made before I even began working on your arm. Can you imagine how thick the book of my designs for a whole building will be?" She gestures to indicate a book that's twice as big in page area and still thicker than her other sketchbooks.
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"Someday I'm gonna wake up and every single wall's gonna be packed with sketches," he says. "I can see 'em already."
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"Only the good ones," she singsongs, playfully defensive. "But single story with a fence, two storey with a wall, two storeys with a roof garden? And then we start talking about the actual style of the thing."
Curtis, she's a maker. You knew this early days.
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"What I can contribute," he says, solemnly, "is a kindergarten drawing of a house with a couple stick figures in front."
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Maybe they'll balance each other, he thinks. He can rein her in, but she can pull him along, like she's been slowly nudging him along from the moment they met. Testing each little boundary -- a window, a quiet room, an open sky -- and showing Curtis he can move forward in a wholly different way.
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