Upstairs, room 1001
It's late. Maybe. Late enough for Curtis to dim the lights in his and Edgar's room, anyway; he's been trying to follow the cues of the rest of the building, switching off the lights if he notices they're dimmer downstairs, or turning them on if bright light from the hallway starts to seep under their door.
It feels like controlling the movement of the sun. Controlling some small chunk of the world.
He doesn't know if he likes it.
But if he doesn't do it, it makes the time distortions feel even worse, so he'll just have to suck it the hell up.
The ambient noise on either side of them is all well and good, but hearing another person breathing an arm's length away calms Curtis way more than he expected. While he's not asleep yet, he's blinking drowsily at the ceiling, not much longer for the waking world.
It feels like controlling the movement of the sun. Controlling some small chunk of the world.
He doesn't know if he likes it.
But if he doesn't do it, it makes the time distortions feel even worse, so he'll just have to suck it the hell up.
The ambient noise on either side of them is all well and good, but hearing another person breathing an arm's length away calms Curtis way more than he expected. While he's not asleep yet, he's blinking drowsily at the ceiling, not much longer for the waking world.

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"I did not mean to intrude upon your private living space. In future, I will have the rats send a message, and inquire ahead."
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Private living space. It still feels strange, hearing someone name his and Edgar's room like that. And it's not like knocking on the door -- after Curtis extended an invitation, no less -- is that much of an intrusion.
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"Do you like tea?"
Like she's asking him what color underwear he's wearing.
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"It's not bad," he says. "I tried Earl Grey. Why?"
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Her grip on his arm tightens ever so slightly.
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Maybe by the time they do, Curtis will figure out what the hell to say about everything else that happened on the train.
They're nearly back to room 1001: close enough that, with the room's thin walls, anyone inside could easily hear their approach.
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Edgar's expression, looking out and seeing both of them, is blank.
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"Hello again." She speaks quietly, and dips her chin to the younger man, her eyes closing in a long blink for a moment. "My name is Dejah. I'm a," she glances back to Curtis, "a friend of Curtis's. I believe I owe you an apology."
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The last thing he needs is to bring this full-circle and have Edgar think there's something going on there.
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"My name's Edgar," he says, flat. "I'm a friend of Curtis's."
There's only the faintest emphasis on the word I'm.
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She studies his face for a moment. He is so young. So much fire in his body. He will grow to be a formidable warrior someday. That much is readily apparent.
"Edgar. I apologize for my departure, before," she says, her tone even and respectful. "I was not expecting Curtis to be sharing his room with someone. He tells me you two are longtime friends and I must say, I'm glad that you're here for him."
When she speaks, her hand actually extends towards Edgar.
"I know only a little about the train. About the battles you two experienced. I'm glad he has someone to share this bizarre place with. When I arrived, I had only my wits and a few kind souls to guide me. Now that you're here, I hope to be granted the privilege of sharing what I know with you." Again, she gestures from herself to Edgar.
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(The few phrases in the letter that he managed to read are echoing in his mind; now that he's heard her speak, they're in her voice, in her aristocratic accent. You can tell me anything, it said, and I offer my hand to you, and yours in friendship. And four titles underneath the unfamiliar name.)
(What the fuck is Curtis doing with someone like her?)
"Thanks," he says shortly. "But I'm doing fine."
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(And he knows damn well how even a simple friendship between them must look: what the fuck is he doing with someone like her?)
Curtis sighs and steps closer to Edgar. There's no need to speak -- all he does is shoot him a quick, quelling glance. Could be worse, he guesses. Hopefully it won't get worse.
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"It's all right." She touches her fingertips to Curtis's shoulder. "Edgar. I know you don't know me, and I know you can't tell it just by looking at me, but I am not like the people of your Front. I am from another world. So please... all I ask is that you reserve judgement."
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He gives a little shrug, instead, and falls back half a pace. "All right."
(It's not very convincing.)
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He turns to Dejah, suppressing another sigh. Quiet: "I'll talk to you later, all right?"
He knows Edgar, and he knows Dejah can't say anything that'll crack Edgar's suspicions.
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"I suppose it's too much to ask you to walk me home?"
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"Sure," he says to Dejah.
Her room's not that far away, after all.
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"Shall we?"
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But all he does is nod before throwing another glance to Edgar. "Be back in a minute."
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And steps back a little further, to give them room.
He tells himself he's not going to touch the letter again, and this time his resolve lasts about thirty seconds.
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When she speaks, her voice is pitched low, only for Curtis's ears. "He seems just as surprised to see me as I am to see him."
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"Not sure 'surprised' is the word for it," he says.
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