[Milliways Gym]
Curtis has started to develop a workout routine. Since his gym visits shifted from "occasional" to "nearly every day," he's taken to quiet observation whenever he's on one of the treadmills, watching the gym's other occupants to see what they're doing, cataloging all the exercises that don't involve two working arms. Some trigger a flash of oh, right, I remember that. Others...not really.
But, one at a time, he works them into his own circuit. Squats. Crunches. Jumps. More time at the heavy bag (his hand always wrapped properly nowadays). All of it's getting easier. He even figures out how to start working his way toward one-armed push-ups: just put his hands higher than his feet, like on a wall or a bench or something.
That's what he's focusing on today -- wall push-ups. It's the last thing on his agenda before he heads out, and damn, it's a strain to make it through the last few reps.
But, one at a time, he works them into his own circuit. Squats. Crunches. Jumps. More time at the heavy bag (his hand always wrapped properly nowadays). All of it's getting easier. He even figures out how to start working his way toward one-armed push-ups: just put his hands higher than his feet, like on a wall or a bench or something.
That's what he's focusing on today -- wall push-ups. It's the last thing on his agenda before he heads out, and damn, it's a strain to make it through the last few reps.
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Carefully, after a beat, Curtis nods, accepting her words.
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"So, I have a few ideas I want to try. I've cut the plates, I just need to shape them."
She shuffles through the materials weighing down the schematics.
"I chose silver, though we can change the color later, if you like."
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"Silver's good," he assures her. "What else are you thinking about?"
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Again, she reaches for his hand. This time it's to touch his wrist and forearm. "I want it to look like it's a part of you, even if it's clearly a machine. It should be yours, wholly and completely." Her palm smoothes over his skin as she contemplates how to convey that in cold metal.
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Curtis doesn't know what to make of it.
"It'll be mine no matter what," he tries.
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She picks up one of the leaf-shaped plates and lays it against his forearm. The metal is light and warms to his skin almost instantly. "These plates will be supported from beneath by a layer of isolates acting as the muscle. They need to be able to slip passed and over one another fluidly, and still lend strength to the structure as a whole. It's a delicate balancing act, but we'll figure it out."
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"How many are you going to need to cover the whole arm?"
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Everything she's saying sounds incredible -- more magic than technology. Which kind of fits, considering they're in some magical pocket dimension or whatever-the-hell Milliways really is.
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"Well, you can try. But I'll laugh at you when you come back with a twisted hunk of metal for me to fix."
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Not when she's put so much work into this already. If somebody destroyed something Curtis spent months building, laughter wouldn't be his first reaction.
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"Oh, it's your arm. You do whatever you feel is necessary. It's my job to put you back together after." She slowly moved the first series of plates into the center of the forge, letting them heat up slowly. "This is a tool, Curtis. I will only be upset with you if you treat it like some sort of delicate piece of jewelry, all right?"
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(He still hears tool and thinks pipe, knife, umbrella hook. The basics, not the ornate. What you use when you don't have anything else.)
Mindful of her tools, Curtis swings his heels up onto the table, getting comfortable before he reaches for the book.
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"I didn't know if you preferred a self-guided curriculum, or if you wanted a hand's on lesson. I do know they have these little -- tablet things at the bar. They'll play educational videos, so you can learn from an expert on your own schedule."
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His crooked smile goes a little wry.
"Give me something to do besides punch stuff every day."
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To muster and train troops. To manufacture and hide weapons. To escape whatever mechanism by which they were imprisoned. The days, hours, weeks, months of planning. He must have been so deeply involved in the plan, to have it be finished.
She knows what it's like to be on the other side of such a plan. It always left her feeling adrift. At least, until the next one came along.
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Curtis glances back down at the book.
"Took a while."
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"I mean, don't get me wrong," he says, "getting to eat and sleep and punch stuff is pretty great."
No protein blocks. No headcounts. Space and proper equipment for a good workout -- good enough that it's pretty easy to keep pushing back against the cloud of memories.
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"But I know when I put so much of myself into a project, I'm glad to see it done. But I'm also a bit -- out of sorts. At least, until I find the next project to work on."
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And then -- now that he's accomplished that goal -- having no idea what else he could want. What else he could do.
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She holds the plate until it glows and then carefully, with her hands, begins to form the metal. It's a gentle movement and gives her a lot more control, it seems.
"My whole life, before I met John, I spent every day fighting an enemy I didn't even know existed. After," Dejah gives a dry little laugh. "It took us another twenty five years to dig them out by the root. And I'm still half-convinced everyone I meet might be a Thern agent in disguise. Did I mention the part where they can make themselves look and sound like anyone?"
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"Shit." Low. "No, you left out that part."
He folds the book closed to set it on the table, swinging his feet down in the same movement.
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"Yes. Well, I can scan for their technology, so I have ways of checking. But the fear still haunts me. That someone I know and trust will be in my chambers and I will see their face shift. I will see the mask fall away and my enemy will reveal himself, deep inside my defenses. Even when I know it's not a possibility, that fear never really goes away."
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(He can see Wilford's smile again, so unexpectedly genial after years of Curtis building up a monstrous image of the man and his engine. He can hear Gilliam's croak of a voice: Don't let him talk. Cut out his tongue.
Was that why? Because Gilliam knew Wilford would talk about their collaboration, the deeply rooted agreements between tail and front?)
Actions often come easier than words. Curtis reaches out, touching Dejah's arm just above the glove.
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