[Milliways]
[From here.]
If he were back on the train, he'd go to his bunk, shove the curtain closed, and stay there for as long as possible until the swirl of emotions died down. After that first month, Curtis always figured it was better to isolate himself than risk lashing out at the rest of the tail.
Too bad he's not on the train anymore.
As Edgar heads back out to the stables -- giving Curtis space like most people did when he got angry, and fuck if that doesn't feel like winning his way through a tantrum, too, god -- and he and Dejah head up to the gym, Curtis gets to work wiggling open the jar of salve. He can't quite get the proper leverage with just one hand, even with the jar pressed between his stump and his side; gritting his teeth, he labors on with grim determination.
If he were back on the train, he'd go to his bunk, shove the curtain closed, and stay there for as long as possible until the swirl of emotions died down. After that first month, Curtis always figured it was better to isolate himself than risk lashing out at the rest of the tail.
Too bad he's not on the train anymore.
As Edgar heads back out to the stables -- giving Curtis space like most people did when he got angry, and fuck if that doesn't feel like winning his way through a tantrum, too, god -- and he and Dejah head up to the gym, Curtis gets to work wiggling open the jar of salve. He can't quite get the proper leverage with just one hand, even with the jar pressed between his stump and his side; gritting his teeth, he labors on with grim determination.

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This wasn't Edgar's fault. It's not like he asked the bar to drag him off to Barsoom. As the anger begins its slow spiral downward, it's a lot easier for Curtis to catch that thought, holding it close.
He barely wrinkles his nose as he gets a whiff of the jar's contents -- it's one of the fouler things he's smelled since coming to Milliways, but by no means the foulest he's ever smelled -- before scooping up a fingertip's worth of the salve. Scooting a little closer to Dejah, he smooths it across her palm, gently working it into her skin.
"So if I drank that," he says -- and, realizing it might be misconstrued, hastily adds, "The Voice of Barsoom. I'd get that telepathy thing with everybody else who's ever drank it too?"
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"In a sense, yes. I don't know how it would function here in the Bar. As far as my research can tell, it's a harmless bacteria that exists throughout the entire ecosystem. Every living thing on the planet has a bit of it in their bloodstream -- or if they don't have a bloodstream, whatever passes for a bloodstream. It allows us to sense surface emotions or intent."
"We all take the Voice of Barsoom when we are very young. And I'm fairly sure it's why we don't have the vast number of languages that Jasoom has. We have dialects, but they're all of the same language. I've never met someone on Barsoom that I couldn't communicate with."
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He scoops up more salve, keeps rubbing it over the scar as he absorbs that information. "It's gotta work at least a little bit here," he says eventually. "If Nitwit can still understand Edgar."
Beat.
Faintly amused, and more to himself: "Of course he fucking named it Nitwit."
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She swallows, bites her lip as he works the salve into her palm. It's melting into her skin, and already she can feel it becoming more supple under his touch.
"Is this the name of a great hero?"
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Only when he lets go of Dejah's hand and presses his forearm to his eyes does it becomes obvious: he's laughing, almost silent, the weak and nearly uncontrollable laughter of tension finally unraveled.
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And then he pulls away, and she can hear the way his breath moves. He's laughing, and her face splits in a broad grin.
She grips the salve between her knees and touches his shoulder. "What? What did I say?"
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Okay, come on. Deep breaths.
He lifts his face, dabbing at his eyes with the back of his coat sleeve, and finally manages, "It means 'idiot.' Kind of a nicer way to say it, but."
Yeah.
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"What? He named the poor beast 'idiot'?"
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"Nicer way of saying idiot," he emphasizes eventually.
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When the kiss breaks, he circles his arm around her shoulders to give her a quick hug. In a low murmur, "Sorry I was being a dick."
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"No harm done. Though you might owe Edgar an apology, too."
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He catches her hand, his thumb lighting on the scar. "How much do I need to put on here?"
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"I think that's good for now. I'll tape it up before we spar."
Her hand closes around his. "Are you ever going to tell me -- 'what the deal is' between you and Edgar?" The phrase sounds awkward coming out of her mouth, but she's trying to use his idiom.
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Somewhere along the way, a mountain shifted in Curtis' mind: she can never know changing -- so slowly he barely noticed -- into you have to tell her someday. This thing he and Dejah have...it's not going to be temporary. And if it's not temporary, that means she'll have to learn the truth.
The dread feels like the rumble of the train. Like wind seeping through the joints of the metal. It's cold, but quiet, an everpresent thing that he doesn't need to deal with right away. Just a new piece of background noise to fold into his life.
"Not right now," he whispers.
But that isn't no; never.
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"I know who you are, Curtis Everett."
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And until then, when he thinks -- like he does now -- No, you don't, he'll get a little privacy with the thought. That's even more appealing.
He closes his eyes, letting his forehead touch hers without a word.
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But she knows him well enough to know, he has to come to that same conclusion before she or Edgar or anyone else can even begin to help him.
She wishes he could talk to John. John would be able to get this out of him, she thinks, and not for the first time. John would understand even better than she could. He lived it firsthand.
But he can't. All he has is her and Edgar. And Edgar's got other matters to attend to right now. She bumps her nose against Curtis's. "Come on. The mat's waiting."
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As usual, he's stripped down to his undershirt and started wrapping his hand. (Maybe it's not strictly necessary today, but Curtis never minds the extra practice.) By now, he's getting pretty good at doing it one-handed, the wrap anchored between his teeth, his wrist bending in the quick, complex arcs needed to twist the cloth into its proper place.
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"Swords or staffs today? Or do you just want to grapple?"
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Even with the rage finally corralled, Curtis doesn't wholly trust himself: it'd be too easy to slip back if he's trying to punch another person.
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"Here. We can start one quarter speed." She rolls the staff over the back of her hand and spins it behind her back.
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"You lead, I'll follow," he says.
And once he's got the hang of it, he'll stop following.
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She starts simply. Just a basic series of attacks. She'll even start on his good side. Her smile indicates, she has no intention of going easy on him.
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Curtis still fights like he's in a room a quarter of the mat's size. When he meets each strike of her staff, he moves swift and sure, but never too far from where he planted his feet. Elegance isn't his thing. Combined with Dejah's grace, he's like a snake snapping out at a charmer.
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