Milliways infirmary, with Dejah
He counts the doors they pass through en route to the infirmary: only three, all of them unlocked. The first one leads to a room more like the party at the front of the train than the crowding at the tail -- but even that's not the right comparison, he thinks. It's crowded, yes, and noisy, but all Curtis can think is there's so much room.
People can stretch out their arms. When he and Dejah cross the floor, they can move without bumping into anyone.
The second door leads to an empty hallway, quiet but for the hum of the overhead lights. He keeps his eyes straight ahead, and with each step, thinks of anything but Wilford's voice in his ear. Take as much time as you need.
The third leads to a place so clean and white as to look alien, like the view from the Snowpiercer's windows. By then, he's leaning far more of his weight on Dejah than when they started.
People can stretch out their arms. When he and Dejah cross the floor, they can move without bumping into anyone.
The second door leads to an empty hallway, quiet but for the hum of the overhead lights. He keeps his eyes straight ahead, and with each step, thinks of anything but Wilford's voice in his ear. Take as much time as you need.
The third leads to a place so clean and white as to look alien, like the view from the Snowpiercer's windows. By then, he's leaning far more of his weight on Dejah than when they started.

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"It loops?" he manages after a moment. "How?"
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"Yeah," he says, "okay," and pinches the bridge of his nose, thumb and forefinger at the corners of his eyes, as if trying to scrub the sight away. "I'm dead, you're from Mars, and the end of the universe keeps looping outside the window. And there are sentient rats. And nothing's rationed."
Seems like more of the physical shock has retreated, which just means the mental shock can well up to fill in the gaps.
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"Well, when you put it that way..."
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He's got a feeling the answer is not very long, but -- he has to ask.
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"I'm not sure I have, honestly. It's exhausting, wandering around in a perpetual state of dismay. I still don't believe the 'magic' explanation, but the evidence for it seems overwhelming. Every day I spend here brings something new and strange."
Don't ask her how she feels about the many gods who frequent this place.
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When the bar could give you anything you want, apparently without asking anything in return? She's not from the tail, yeah, but even so -- what the fuck could cause dismay here?
(He's not thinking about his own reaction. Not being able to grasp what's happened, and the implications of so many changes in so short a span, is wholly different.)
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Curtis drops his gaze again. "Sorry," he mutters.
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She wants to put a hand on his again, wants to make a connection somehow. To show him that he's among the living, and with a friend.
But she holds back, for some reason. It feels greedy to ask for that connection in return.
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"I thought it'd be easier if you were..." He shakes his head in mild frustration, trying to translate the term before giving up altogether. "From the front. You got a lot of this already."
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She swallows, licks her lips.
"But I am not from your Front. I am responsible for more than a million souls, from every level of society. I am responsible for bringing them clean water and plentiful supplies, I am responsible for keeping them safe from the warring tribes, and protecting them from those who would like to return to the thousand years of civil war we only just left behind us a mere century ago."
"That life never prepared me to meet people like you -- people beyond the reach of my power. People who suffer needlessly at the hands of tyrants I have no hope to overthrow."
Her voice breaks at the end, her own frustration clear in the set of her jaw, and the way her hands have curled into fists.
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Fuck.
And she's not like Wilford, he can tell that much, but Curtis feels his hackles go up anyway at her talk of responsibility, and power, and comfort. It's taken so much mental effort just to sit in this building; for an instant, Curtis isn't sure if he can spare any energy to put his thoughts back on track. She's not him. She's not as bad as them. She helped without asking for anything in return.
(But who's to say she won't ask later down the line?)
Then her last words emerge and give his thoughts that final, necessary shove. Curtis draws in a short breath.
"Hey," he murmurs; it's his turn to reach out and settle his hand on her arm.
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"I'm sorry," she says, her voice quiet but clear. Her problems are petty compared to his.
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A crooked smile.
"Look, I'm not gonna pretend I understand the shit you've got to deal with, but it's still shit. You know?"
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"Yes, well. It's not important here. Getting you settled, that's what's important right now. But I would -- I would ask one thing."
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Here it comes.
"What?"
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"Would you allow me -- to design and build a prosthetic for you?"
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Shit.
He shuts his eyes. "Sorry. I didn't -- "
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"Because it is the least I can do for you. I can't give you back what you've lost. But I can try to help."
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Curtis gave up his arm, but that doesn't mean he has to go without a replacement. Even Gilliam (and the pain returns at that thought, striking low and dull against his stomach) fashioned new limbs for himself after his sacrifice.
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So many dead.
Her voice is quiet, and tinged with sorrow when she answers. "It would be an honor, Curtis. I fully believe, when the day is done, all we have is each other."
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Especially once Gilliam stepped forward, and someone (he still can't remember who) took a wailing Edgar from Curtis' arms.
"Yeah," he whispers. "I guess so."
And there's no uncertainty to his voice.
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"You're not used to trusting someone -- who looks like me. I understand that. You have no reason to trust me, none at all. Just a collection of moments since you appeared on that lawn."
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"Well, you haven't shot, stabbed, or threatened me yet," he points out dryly.
Yet being the operative word, try as he might.
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