[flashback] in the bleak midwinter long ago
The materials started coming in from the Front last week, a few days after the protein blocks: boards, risers, gym mats, army blankets, rolls of fabric that might have been curtains or carpeting. They've been putting together bunks, stacks of them, under the direction of the armed guards.
By unspoken common consensus, the very end of the last car gets curtained off for Gilliam and the others recovering from their voluntary amputation, and the first makeshift pallets are carried back to them.
The work shift is over for the day, and protein blocks are being distributed. Under a guard's watchful eye, one person -- a different one each day -- is tapped to bring food to those who can't walk out to get it for themselves.
Today it's Curtis.
The cloth pulled tight around his right arm used to be a bandana. The wound beneath it split open again last night; he hasn't been able to stop picking at it. Before, a cut like this might've meant stitches. Now it just means pain biting his arm as he cradles the protein blocks to his chest.
Curtis doesn't look up. Nobody looks at him. They part like the Red Sea when he moves, like the train cleaving through the ice. Even in this small space, they find room to get out of the way.
They still wonder if he's got a knife.
He stops in front of the curtains, exchanging an uneasy glance with the guard.
By unspoken common consensus, the very end of the last car gets curtained off for Gilliam and the others recovering from their voluntary amputation, and the first makeshift pallets are carried back to them.
The work shift is over for the day, and protein blocks are being distributed. Under a guard's watchful eye, one person -- a different one each day -- is tapped to bring food to those who can't walk out to get it for themselves.
Today it's Curtis.
The cloth pulled tight around his right arm used to be a bandana. The wound beneath it split open again last night; he hasn't been able to stop picking at it. Before, a cut like this might've meant stitches. Now it just means pain biting his arm as he cradles the protein blocks to his chest.
Curtis doesn't look up. Nobody looks at him. They part like the Red Sea when he moves, like the train cleaving through the ice. Even in this small space, they find room to get out of the way.
They still wonder if he's got a knife.
He stops in front of the curtains, exchanging an uneasy glance with the guard.
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He hasn't shaken it yet. Don't they see? He walks through the car and sees a baby, and some part of his hindbrain still thinks food. The instant this kid starts screaming he'll probably throw it off one of the new bunks.
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"You can bring him back here anytime you need to," he says, not quite laying any particular stress on any particular word, "and give him to me for a little while."
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He still can't say anything.
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"Is he taking solid food yet?" Gilliam asks Tanya, and then makes a mildly deprecating face. "Well, I say solid ..."
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And then, mimicking his tone and expression: "Well, I say hands."
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"Would you like to try feeding him?"
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This is what they'll do if he runs, he realizes: they won't give up. They'll just keep trying to put that kid in his lap, again and again, until he's too exhausted to fight back.
"With what?" he says instead, more acidly than he means. "I don't have tits."
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"The idea was to see if he'll take adult food," says Gilliam mildly. "There's plenty of my ration bar left. I'd be happy to donate a piece by way of experiment."
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Maybe if he plays along for a couple minutes, that'll be enough for them to let it go.
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And focuses on Curtis's face.
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Nothing happens. The baby just blinks again, sleepily, regarding Curtis with deep solemnity.
It's like if he reaches out, it'll imply he's agreeing to Gilliam's idea. But even with Tanya's help, the kid's starting to slip, and if he hits the floor then he'll definitely start crying, and --
Curtis reaches out to touch Edgar's side, helping Tanya and Gilliam hold on.
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Predictably perhaps, Edgar almost immediately moves to destabilize it, trying to lunge out of Gilliam's restraining arm as though convinced he can already walk. Or swim, perhaps; one chubby hand is flailing as though trying to push himself forward.
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A beat later, he seems to realize what he's done, and instantly lets go as if he'd touched a chunk of ice.
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And then cracks a big gap-toothed grin and reaches that same hand out toward Curtis again.
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He could not telegraph HELP ME more clearly if he'd shouted it at top volume.
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"Give it a try," Gilliam murmurs. "It's worth a try, isn't it?"
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"He doesn't recognize me."
It's hard to tell from Curtis' tone whether that's a good thing or a bad one. Even he's not wholly sure.
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The baby latches on with a gleeful giggle.
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