Milliways infirmary, with Dejah
He counts the doors they pass through en route to the infirmary: only three, all of them unlocked. The first one leads to a room more like the party at the front of the train than the crowding at the tail -- but even that's not the right comparison, he thinks. It's crowded, yes, and noisy, but all Curtis can think is there's so much room.
People can stretch out their arms. When he and Dejah cross the floor, they can move without bumping into anyone.
The second door leads to an empty hallway, quiet but for the hum of the overhead lights. He keeps his eyes straight ahead, and with each step, thinks of anything but Wilford's voice in his ear. Take as much time as you need.
The third leads to a place so clean and white as to look alien, like the view from the Snowpiercer's windows. By then, he's leaning far more of his weight on Dejah than when they started.
People can stretch out their arms. When he and Dejah cross the floor, they can move without bumping into anyone.
The second door leads to an empty hallway, quiet but for the hum of the overhead lights. He keeps his eyes straight ahead, and with each step, thinks of anything but Wilford's voice in his ear. Take as much time as you need.
The third leads to a place so clean and white as to look alien, like the view from the Snowpiercer's windows. By then, he's leaning far more of his weight on Dejah than when they started.

no subject
"Extinct. On the train? Or in the entire ecosphere?"
no subject
"Definitely on the train," he says. "I'd assume the ecosphere, too, but...I don't know."
no subject
"It's a list of all the possible food and drink on offer here, though it's my understanding, it's not comprehensive. If you'd rather just request something, I'm sure the kitchen can get you what you want."
She's not his doctor. She can't tell him to stick to a simple broth, and possible some bread, even though she suspects by his pallor and his gaunt features, he's malnourished and anything richer than that will come back to haunt him.
no subject
Sushi and steak, he can't help but notice, are among the offerings; his stomach churns with nothing like hunger.
"Just some soup," he says. "I don't need anything else."
no subject
"That sounds wonderful." She turns back to the wait rat and makes the same order for both of them, a simple vegetable broth with a loaf of fresh bread. And a pitcher of water.
The water appears almost instantly, delivered by another wait rat already ahead of the game, and she pours for both of them. "So eighteen years on a train." Her gaze moves back to look at him. "I would venture that's -- more than half your life."
no subject
"Seventeen years off the train, eighteen years on it," he says -- and utters a near-soundless, completely humorless laugh. "God. Sometimes I'd try to reassure myself like that. 'At least I spent more of my life on Earth than on here.' Just crossed Yekaterina Bridge yesterday, though. That's the new year marker."
no subject
She doesn't know.
She does turn and look across the Bar, points in the direction of the Window.
"The most amazing thing about this place, it's situated at the End of the Universe. You can see it happening, through that -- glass. The whole of creation, tearing itself apart. It loops, every twenty four hours, or so I'm told. It's beautiful and terrible to watch. The end of all time and space. It's enough to make someone feel -- very small."
no subject
"Jesus," he breathes.
She's not wrong; the shock rolling through him attests to that.
no subject
"I point this out not to belittle your experience, but perhaps to -- put it in perspective. I feel very lucky to be sitting here, having this conversation with you. I'm sorry for everything you had to go through to get here, but -- I'm still glad you're here."
no subject
"It loops?" he manages after a moment. "How?"
no subject
no subject
"Yeah," he says, "okay," and pinches the bridge of his nose, thumb and forefinger at the corners of his eyes, as if trying to scrub the sight away. "I'm dead, you're from Mars, and the end of the universe keeps looping outside the window. And there are sentient rats. And nothing's rationed."
Seems like more of the physical shock has retreated, which just means the mental shock can well up to fill in the gaps.
no subject
"Well, when you put it that way..."
no subject
He's got a feeling the answer is not very long, but -- he has to ask.
no subject
"I'm not sure I have, honestly. It's exhausting, wandering around in a perpetual state of dismay. I still don't believe the 'magic' explanation, but the evidence for it seems overwhelming. Every day I spend here brings something new and strange."
Don't ask her how she feels about the many gods who frequent this place.
no subject
When the bar could give you anything you want, apparently without asking anything in return? She's not from the tail, yeah, but even so -- what the fuck could cause dismay here?
(He's not thinking about his own reaction. Not being able to grasp what's happened, and the implications of so many changes in so short a span, is wholly different.)
no subject
no subject
Curtis drops his gaze again. "Sorry," he mutters.
no subject
She wants to put a hand on his again, wants to make a connection somehow. To show him that he's among the living, and with a friend.
But she holds back, for some reason. It feels greedy to ask for that connection in return.
no subject
"I thought it'd be easier if you were..." He shakes his head in mild frustration, trying to translate the term before giving up altogether. "From the front. You got a lot of this already."
no subject
She swallows, licks her lips.
"But I am not from your Front. I am responsible for more than a million souls, from every level of society. I am responsible for bringing them clean water and plentiful supplies, I am responsible for keeping them safe from the warring tribes, and protecting them from those who would like to return to the thousand years of civil war we only just left behind us a mere century ago."
"That life never prepared me to meet people like you -- people beyond the reach of my power. People who suffer needlessly at the hands of tyrants I have no hope to overthrow."
Her voice breaks at the end, her own frustration clear in the set of her jaw, and the way her hands have curled into fists.
no subject
Fuck.
And she's not like Wilford, he can tell that much, but Curtis feels his hackles go up anyway at her talk of responsibility, and power, and comfort. It's taken so much mental effort just to sit in this building; for an instant, Curtis isn't sure if he can spare any energy to put his thoughts back on track. She's not him. She's not as bad as them. She helped without asking for anything in return.
(But who's to say she won't ask later down the line?)
Then her last words emerge and give his thoughts that final, necessary shove. Curtis draws in a short breath.
"Hey," he murmurs; it's his turn to reach out and settle his hand on her arm.
no subject
"I'm sorry," she says, her voice quiet but clear. Her problems are petty compared to his.
no subject
A crooked smile.
"Look, I'm not gonna pretend I understand the shit you've got to deal with, but it's still shit. You know?"
no subject
"Yes, well. It's not important here. Getting you settled, that's what's important right now. But I would -- I would ask one thing."
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)