Milliways infirmary, with Dejah
He counts the doors they pass through en route to the infirmary: only three, all of them unlocked. The first one leads to a room more like the party at the front of the train than the crowding at the tail -- but even that's not the right comparison, he thinks. It's crowded, yes, and noisy, but all Curtis can think is there's so much room.
People can stretch out their arms. When he and Dejah cross the floor, they can move without bumping into anyone.
The second door leads to an empty hallway, quiet but for the hum of the overhead lights. He keeps his eyes straight ahead, and with each step, thinks of anything but Wilford's voice in his ear. Take as much time as you need.
The third leads to a place so clean and white as to look alien, like the view from the Snowpiercer's windows. By then, he's leaning far more of his weight on Dejah than when they started.
People can stretch out their arms. When he and Dejah cross the floor, they can move without bumping into anyone.
The second door leads to an empty hallway, quiet but for the hum of the overhead lights. He keeps his eyes straight ahead, and with each step, thinks of anything but Wilford's voice in his ear. Take as much time as you need.
The third leads to a place so clean and white as to look alien, like the view from the Snowpiercer's windows. By then, he's leaning far more of his weight on Dejah than when they started.

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Try as he might, Curtis' voice carries shades of his earlier question: what's the catch? He's not quite expecting protein bars, or worse. He doesn't know what to expect; that's part of the problem.
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She leans back to catch his face between her palms. "Regardless of the source, you need to eat. Now come on."
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(For one, it might lead to explaining why it's so important that he knows the source of his food.)
He's lost so much of the fight that carried him to the front of the train, though -- enough that acquiescing to Dejah's request seems preferable to resisting. His shoulders sag, minutely.
"Okay."
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She lets him balance, checking if he can stand on his own, or if he still wants her help walking.
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Equal to the relief of having Dejah so close: leaving that goddamn too-bright infirmary for the darker, noisier atmosphere of the main bar.
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"I prefer to sit in the corner booth. Easier to watch the patrons come and go, and still be able to hear yourself think."
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Fortunately for them, said corner booth has been recently vacated. There are a few dirty cups the waitrats have yet to clear away, but Curtis doesn't appear to mind; he slides into one side of the booth with a quiet sigh.
...Jesus. Are all the seats in here this soft?
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"It's all right, they're the wait staff here. Very professional." She might sound a little defensive. You only insult a rat once around here.
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"Haven't seen one of those in a while," he adds after a moment.
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"Extinct. On the train? Or in the entire ecosphere?"
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"Definitely on the train," he says. "I'd assume the ecosphere, too, but...I don't know."
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"It's a list of all the possible food and drink on offer here, though it's my understanding, it's not comprehensive. If you'd rather just request something, I'm sure the kitchen can get you what you want."
She's not his doctor. She can't tell him to stick to a simple broth, and possible some bread, even though she suspects by his pallor and his gaunt features, he's malnourished and anything richer than that will come back to haunt him.
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Sushi and steak, he can't help but notice, are among the offerings; his stomach churns with nothing like hunger.
"Just some soup," he says. "I don't need anything else."
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"That sounds wonderful." She turns back to the wait rat and makes the same order for both of them, a simple vegetable broth with a loaf of fresh bread. And a pitcher of water.
The water appears almost instantly, delivered by another wait rat already ahead of the game, and she pours for both of them. "So eighteen years on a train." Her gaze moves back to look at him. "I would venture that's -- more than half your life."
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"Seventeen years off the train, eighteen years on it," he says -- and utters a near-soundless, completely humorless laugh. "God. Sometimes I'd try to reassure myself like that. 'At least I spent more of my life on Earth than on here.' Just crossed Yekaterina Bridge yesterday, though. That's the new year marker."
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She doesn't know.
She does turn and look across the Bar, points in the direction of the Window.
"The most amazing thing about this place, it's situated at the End of the Universe. You can see it happening, through that -- glass. The whole of creation, tearing itself apart. It loops, every twenty four hours, or so I'm told. It's beautiful and terrible to watch. The end of all time and space. It's enough to make someone feel -- very small."
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"Jesus," he breathes.
She's not wrong; the shock rolling through him attests to that.
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"I point this out not to belittle your experience, but perhaps to -- put it in perspective. I feel very lucky to be sitting here, having this conversation with you. I'm sorry for everything you had to go through to get here, but -- I'm still glad you're here."
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"It loops?" he manages after a moment. "How?"
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"Yeah," he says, "okay," and pinches the bridge of his nose, thumb and forefinger at the corners of his eyes, as if trying to scrub the sight away. "I'm dead, you're from Mars, and the end of the universe keeps looping outside the window. And there are sentient rats. And nothing's rationed."
Seems like more of the physical shock has retreated, which just means the mental shock can well up to fill in the gaps.
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"Well, when you put it that way..."
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He's got a feeling the answer is not very long, but -- he has to ask.
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