Milliways infirmary, with Dejah
He counts the doors they pass through en route to the infirmary: only three, all of them unlocked. The first one leads to a room more like the party at the front of the train than the crowding at the tail -- but even that's not the right comparison, he thinks. It's crowded, yes, and noisy, but all Curtis can think is there's so much room.
People can stretch out their arms. When he and Dejah cross the floor, they can move without bumping into anyone.
The second door leads to an empty hallway, quiet but for the hum of the overhead lights. He keeps his eyes straight ahead, and with each step, thinks of anything but Wilford's voice in his ear. Take as much time as you need.
The third leads to a place so clean and white as to look alien, like the view from the Snowpiercer's windows. By then, he's leaning far more of his weight on Dejah than when they started.
People can stretch out their arms. When he and Dejah cross the floor, they can move without bumping into anyone.
The second door leads to an empty hallway, quiet but for the hum of the overhead lights. He keeps his eyes straight ahead, and with each step, thinks of anything but Wilford's voice in his ear. Take as much time as you need.
The third leads to a place so clean and white as to look alien, like the view from the Snowpiercer's windows. By then, he's leaning far more of his weight on Dejah than when they started.

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She returns and sets the dry basin down on a small table, before tugging it over close to where he's sitting. Only then does she set the water down. She pulls over another chair and sits down with him, knee to knee. She wets a cloth and wrings it dry, and turns to him.
She doesn't start with the shoulder. One hand rises to cup his cheek, her movements slow and careful, like he's a wounded animal who might snap and remove her fingers. Gently, she starts to wipe away the soot and grime from his face.
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Little by little, as if imitating the shed layers of clothing, the grime starts to come away. Some of it is ground so deep into his skin that it seems to be a permanent stain. One patch of blood above his right eyebrow turns out to be a recent wound; when Dejah's cloth touches it, he hisses a short, involuntary breath through his teeth.
He lost his whole goddamn arm and he's wincing at having a cut cleaned. Because that makes sense.
(About as much sense as Milliways itself has made so far.)
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"Sorry about that. Almost done. Any other cuts I should know about?"
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It's so quiet. So bright.
"There's..." In lieu of words, he holds up his hand to show her the gash along its back.
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She takes his hand at the wrist, wiping his palm clean before turning it over and resting it on her knee. "I've seen wounds like this before. Usually from hand-to-hand combat with short, heavy blades." She takes up a new cloth and wets it from the fresh water, leaving it a little wet. She lays it carefully over the gash, letting the water soak away some of the grime and dried blood.
"Your arm looks -- like it was bitten off."
Where she's from, that's not an unlikely possibility.
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"Close enough," he says. "I caught it in some machinery."
Such a simple explanation, for something that carried so much weight.
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"When I get you cleaned up, the infirmary has a device called a dermal regenerator. For surface wounds. It's not from my world, but I've seen it used, and it's painless and very effective."
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Yes. For his own health -- by whatever measure of health you can apply to a dead man -- Curtis can allow that much.
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It's going to fucking suck when my arm gets in on this, too, he thinks, with only the barest hint of concern.
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"Okay. No loss of functionality. That's good." She sets the wet cloth aside and then dries the cut with a clean, fresh one. They're amassing a little pile beside the bowl. When the cut is dry, she takes up the regenerator and shows it to him, talking her way through everything she's doing. "This is the business end, and this is the on switch. It should tingle a little bit and you should feel relief almost immediately. It sounds like this."
She turns it on and a pale green light plays over her palm.
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"Anybody can just come in here and use this," he whispers, unable to lift his gaze away.
There has to be a catch. There has to be.
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She works the regenerator over the wound on the back of his hand in steady even lines. The pain washes away instantaneously, leaving behind a tingling sensation.
"But yes, anyone can come in here and receive medical treatment, free of charge. I have seen people repay the debt by volunteering to help in other ways."
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Dejah's voice seems to recede, swallowed by a ringing in Curtis' ears. He doesn't respond to what she's saying, but, subtly, his breath starts to speed up.
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"Ready to start on your shoulder?"
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"Yeah," he croaks, and shuts his eyes.
"How is this possible?"
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"I'm afraid I don't understand the question," she says, her tone gentle.
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Wilford smiling, Yona scrabbling at the floor, Mason bearing her overlarge false teeth, Gilliam, fuck, Gilliam --
"How -- " and his voice breaks as he draws his hand away, pressing it to his face: even now, trying to contain the grief.
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"It's all right." She knows it isn't, won't be, not for awhile. But sometimes hearing the words help. "Curtis..."
She doesn't have the right to ask. All she can do is be here for him.
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There's no possible way this can be different from the train. The resources have to come from somewhere; there have to be people who can't access them; just by being here, with a woman who's caring for his injuries with devices he can't comprehend -- and with a gentleness nobody from the front would ever show somebody from the tail --
He turns his hand over to wipe it across his eyes. In spite of his best efforts, he sniffles.
It's all wrong.
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She knows this sorrow and this grief. She recognizes herself in him, and in her darkest moments, all she ever wanted was someone to lean on. Just for a few minutes, just until she got her feet under her again.
So she pulls him close, crooning under her breath, meaningless sounds meant only to comfort. She caresses his head, presses her cheek against his stubbled hair, and grips him tight. Some healing takes time, and she has all the time in the world here.
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(TRAIN, said that tiny slip of red paper.)
He sags into the touch, staying as quiet as he can, eyes stinging like all hell as the tears flow faster.
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"There is no shame in tears, Curtis. It is a good thing, to be able to shed them. It shows us that we still have our hearts, battered and bloodied as they are. It means we are not as broken as we might fear. Every wound must bleed, even the ones we cannot see. So please, do not be ashamed. Your loss is great, and deserves to be honored thus."
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He got off the train -- and took everybody else with it -- before he could lose that much.
Curtis drags his hand across his eyes again. This time, no fresh tears replace what's been wiped away, and he breathes out shakily before managing a nod.
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"Let me clean this shoulder up. It'll take just a few minutes. And then you need to decide if you'd rather have a hot shower and a bit of sleep, or if you'd rather have a hot meal. We can have the meal upstairs in a room if you'd prefer, or we can sit in the bar."
She puts a hand on his cheek and pulls his gaze up to meet hers. "I'm not going anywhere, all right?"
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